Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Pompeo Batoni
Portrait of Emperor Joseph II (right) and his younger brother Grand Duke Leopold of Tuscany (left), who would later become Holy Roman Emperor as Leopo

ID: 92323

Pompeo Batoni Portrait of Emperor Joseph II (right) and his younger brother Grand Duke Leopold of Tuscany (left), who would later become Holy Roman Emperor as Leopo
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Pompeo Batoni Portrait of Emperor Joseph II (right) and his younger brother Grand Duke Leopold of Tuscany (left), who would later become Holy Roman Emperor as Leopo


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Holy Family | Portrait of Charles Compton, 7th Earl of Northampton | Moss doors Marquis Seoul | Portrait of Sir Wyndham Knatchbull | Mary, Saint infant and Saint outstanding prosperous, Zhan Mushi Meiye, Philip |
Related Artists:
Filippo Brunelleschi
Italian Early Renaissance Sculptor and Architect, 1377-1446,Florentine architect and engineer. Trained as a sculptor and goldsmith, he turned his attention to architecture after failing to win a competition for the bronze doors of the Baptistery of Florence, having tied with Lorenzo Ghiberti. He worked out the laws of linear perspective (later codified by Leon Battista Alberti). By the early 1420s Brunelleschi was Florence's most prominent architect. His major work, the octagonal dome of the cathedral (1420 ?C 36), was constructed with the aid of machines of his own invention. The Medici family commissioned him to design the (old) sacristy and basilica of San Lorenzo (begun 1421), considered keystones of the early Renaissance; he adhered to the conventional format while adding his own interpretation of antique designs for capitals, friezes, pilasters, and columns. His later monumental works foreshadowed the strong profiles and massive grandeur of the work of Alberti and Donato Bramante.
Alexander Benois
1856-1933
william frederick mitchell
c.1845-1914






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